UI Components์ถ์ฒ: Smashing Magazine์กฐํ์ 9
Smashing Animations Part 7: Recreating Toon Text With CSS And SVG
By hello@smashingmagazine.com (Andy Clarke)2025๋
12์ 17์ผ
**Smashing Animations Part 7: Recreating Toon Text With CSS And SVG**
After finishing a project that required me to learn everything I could about CSS and SVG animations, I started writing this series about Smashing Animations and โHow Classic Cartoons Inspire Modern CSS.โ To round off this year, I want to show you how to use modern CSS to create that element that makes Toon Titles so impactful: their typography. Title Artwork Design In the silent era of the 1920s and early โ30s, the typography of a filmโs title card created a mood, set the scene, and reminded an audience of the type of film theyโd paid to see. Cartoon title cards were also branding, mood, and scene-setting, all rolled into one. In the early years, when major studio budgets were bigger, these title cards were often illustrative and painterly. But when television boomed during the 1950s, budgets dropped, and cards designed by artists like Lawrence โArtโ Goble adopted a new visual language, becoming more graphic, stylised, and less intricate...
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**[devsupporter ํด์ค]**
์ด ๊ธฐ์ฌ๋ Smashing Magazine์์ ์ ๊ณตํ๋ ์ต์ ๊ฐ๋ฐ ๋ํฅ์ ๋๋ค. ๊ด๋ จ ๋๊ตฌ๋ ๊ธฐ์ ์ ๋ํด ๋ ์์๋ณด์๋ ค๋ฉด ์๋ณธ ๋งํฌ๋ฅผ ์ฐธ๊ณ ํ์ธ์.
After finishing a project that required me to learn everything I could about CSS and SVG animations, I started writing this series about Smashing Animations and โHow Classic Cartoons Inspire Modern CSS.โ To round off this year, I want to show you how to use modern CSS to create that element that makes Toon Titles so impactful: their typography. Title Artwork Design In the silent era of the 1920s and early โ30s, the typography of a filmโs title card created a mood, set the scene, and reminded an audience of the type of film theyโd paid to see. Cartoon title cards were also branding, mood, and scene-setting, all rolled into one. In the early years, when major studio budgets were bigger, these title cards were often illustrative and painterly. But when television boomed during the 1950s, budgets dropped, and cards designed by artists like Lawrence โArtโ Goble adopted a new visual language, becoming more graphic, stylised, and less intricate...
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**[devsupporter ํด์ค]**
์ด ๊ธฐ์ฌ๋ Smashing Magazine์์ ์ ๊ณตํ๋ ์ต์ ๊ฐ๋ฐ ๋ํฅ์ ๋๋ค. ๊ด๋ จ ๋๊ตฌ๋ ๊ธฐ์ ์ ๋ํด ๋ ์์๋ณด์๋ ค๋ฉด ์๋ณธ ๋งํฌ๋ฅผ ์ฐธ๊ณ ํ์ธ์.
